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The kelidar or holder of the key to the Rifa’i Mosque is a 53 year old disabled man with protruding eyes and wrinkled face that breaks into a smile at the sight of visitors. Mahmoud Abdul Hafez takes great pride in his ancestral role as he hobbles around with the help of his stick, opening the creaky wooden doors to the royal crypts, many of which are damp and poorly lit by ancient hanging lamps with Arabic verses.
For the Iranian exiles flocking to the Rifa’i mosque the most important key Mahmoud holds is the one with which he unlocks their past. For those embarking on the sentimental journey to the mosque, there is a sense of undertaking a sort of pilgrimage.
The sight of the mosque is reassuring. Overshadowed by the Grand Mosque of Sultan Hussein and dominated by the Citadel, the Rifa’i mosque is situated in an area covering 1 ,767sq metres and flanked by four massive columns. Pointed arches divide the royal mosque into three porticoes. Two marble columns, one white and the other dark green, stand at the sides of the great dome. Once past the guarded metal gates the shady grounds are lined with eucalyptus trees in pots that flank the massive stairways leading up to the mosque and into the prayer hall with its minbar decorated with mother of pearl.
Commissioned by the mother of the Khedive lsmail as a dynastic mosque that would house, in addition to the Sufi relics, the tombs of the royal family, its construction was painfully slow and eventually halted completely in 1880. After 25 years of inactivity work on the mosque resumed when Abbas Hilmi entrusted Max Herz Bey, the Austro-Hungarian architect, and his Italian assistant Carlo Virgilio Silvagni, with the enormous task. Most of the materials were imported from Europe. Finally inaugurated in 1912, the mosque came to represent a turning point in the cultural and political history of Cairo.
Beyond the latticed wooden frames that separate the grand prayer hall from a smaller one reserved for ceremonial visits and graced by seven Persian carpets donated to the mosque by grateful Iranian exiles, is a large door beautifully carved in oriental style. Behind it, lies a vast marbled room.
The lights from above cast a sombre glow illuminating the multicoloured carved stones that pattern the inner walls. To the right of the mausoleum stands the former Iranian flag emblazoned with a fierce lion holding a sword with a rising sun behind its back. In a niche is an open Koran set in an inlaid wooden ease.
On the marbled floor beside an enormous silk carpet lies a pale green tombstone carved with the imperial coat of arms and an inscription in Persian that reads: His ImperialMajesty, Mohammed Reza Pahlavi, Shahanshah of Iran.
After more than two decades of theocratic rule in Iran nostalgia for the monarchy is increasing steadily. For those Iranians who find themselves in this mausoleum there is poignancy for an emperor who reigned for 37 years during which Iran was an island of stability and progress in a volatile part of the world.
The Shah left his homeland on 16 January 1979. In Aswan, Egypt, President Sadat received him with open arms. It was the only real welcome he would receive over the next 18 months as he searched for a secure exile for his family. America, which had advised him to leave Iran, would not accept him and Britain, Germany and France also turned their backs, anxious not to upset the ayatollahs.
Cast adrift by his former allies, the Shah was forced to travel from Morocco to the Bahamas, Mexico, New York, and finally to Panama where he narrowly escaped being extradited to Tehran by revolutionaries baying for his blood. By the time the Shah accepted President Sadat’s offer of refuge in Egypt, he was a dying man.
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